Louise Frydman created two ceramic wall pieces for Dior’s Seoul showroom as part of the brand’s continued engagement with contemporary art and design. Known for its legacy of couture craftsmanship and architectural precision, Dior commissioned the works to complement the showroom’s elegant interior.

Louise Frydman collaborated with Clarins in 2021 as part of their Dialogue with Women interview series. Her delicate ceramic sculptures were showcased alongside the brand's products, aligning with Clarins' commitment to nurturing feminine beauty through simplicity and natural ingredients

During Paris Design Week 2020, the Philippe Hurel showroom brought together experienced and emerging artists, including Louise Frydman. Their works were displayed alongside Hurel’s 2020 collection, creating a dialogue of materials, textures, and forms that highlighted shared values of artistry and craftsmanship celebrated throughout the event.

In June 2019, Frydman received the “1 immeuble, 1 œuvre” prize from the French Minister of Culture for her commissioned collaboration with Vinci Immobilier. Part of a national initiative encouraging developers to integrate contemporary art into residential architecture, the prize honors outstanding works in everyday spaces.

Louise Frydman presented Forêt Blanche at the Grand Palais as part of the 2019 Salon Révélations, the international biennial dedicated to fine craft and contemporary creation. The installation combined suspended and grounded ceramic forms to evoke a dreamlike forest beneath the Grand Palais’ iconic glass dome.

For the Hermès Shang Xia vitrines in Paris, Frydman created a series of white ceramic sculptures that anchored the storefront’s window displays. Guided by the artistic direction of Laurent Sanguinetti, her ethereal forms were set within a scenography that reflected luxury lifestyle brand Shang Xia’s blend of Chinese heritage and contemporary design.

In 2016, the Musée de la Tour du Moulin in Marcigny, Burgundy, presented Céramiques — Louise Frydman, a solo exhibition of the artist’s sculptural ceramics. Housed in a restored 15th-century tower, the museum is known for showcasing both regional heritage and contemporary art in an intimate, historically resonant setting.

Installed at the Hôtel de Croisilles in Paris’ Marais district, “La Fée des Pétales” is a large-scale, site-specific work. Suspended across the hotel’s inner courtyard, Louise Frydman’s installation—composed of ceramic, copper sheets, and steel wire—responds to the building’s 17th-century architecture with a floating canopy of organic forms.