In Pop Flowers, Mr. Brainwash stages an unexpected dialogue between Andy Warhol and Vincent van Gogh, two artists who, at first glance, seem to occupy opposite poles of the artistic spectrum. Warhol’s pop art flattens and reconfigures the world, turning its objects into endlessly reproducible icons. Van Gogh, on the other hand, works in the opposite direction—his brushstrokes throb with life, attempting to capture not just flowers, but the pulse of existence itself. In this collision, Mr. Brainwash teases out the unease between surface and interiority, between what we see and what we feel. By fusing Warhol’s repetition with van Gogh’s fervor, the piece becomes less about the flowers themselves and more about how art mediates our encounter with the real—how we try to hold onto beauty, knowing all the while it’s already slipping away.